how to identify the model of my 1880s lyon and healy parlor guitar

Well, firstly, because this slide style of playing was infectious, and soon started to appear in other styles of music. This new ease of playing, together with better volume and accuracy, led to an increase in the popularity of the guitar: enhanced also by a fascination with all things Spanish (although for quite some time the Spanish were more keen on a more lute-like instrument called the vilhuela. They also - right up to the present day - were reluctant to ditch old methods like tying the bottom end of strings to the bridge, and the top end on to push-through wooden pegs). Finally - as a result of all the above - strings could be reduced to singles rather than doubles making them much easier to press down and play. 1950? (Somebody tell us.) It seems we moderns may know more about the guitars than the styles in which they were played.The body shape became more exaggerated as it increased in size to create a bigger sound-chamber: the number of strings settled at six, to enable a greater range of notes: frets were fixed into a permanent position to make sure the notes were accurate: strings were fixed at the bottom end with pegs, and at the top end (usually) with steel worm-gear capstans, and the wood for the body was chosen as much for its ability to vibrate as its prettiness. I believe one of Bill Monroe's mid-career guitar players still used a thumbpick as late as. A general changeover didn't happen overnight. Her famous contemporary Jimmy Rodgers played with a flatpick. Off the subject: Anybody aware of any documentation showing the evolution of steel-string playing from fingerstyle (usually with a thumbpick but not necessarily also fingerpicks) to flatpick? Maybelle Carter worked her magic with a thumbpick. Then the flat pick came over to the guitar from mandolin players, via the many mandolin societies (clubs in which guitarists played a strictly backup role) that were popular before 1900. Were tailpieces used much for gut strings? And as far as I'm aware, the switch from gut to steel strings happened around 1900 and among cheaper guitars first, because steel strings were so much less expensive and more durable than gut. I associate tailpieces with the greater pull exerted by steel strings. I gave it to a friend, whom I haven't seen in decadesl. Does the top appear to be cedar? I know of two sources of very (very!) skimpy information on Lakesides. It was marked Lakeside, a name used by Lyon and Healy to denote a specific, mid-priced model. Star = Stella, as in 'stellar' or 'constellation.' From the Latin, I suppose. Strictly for what it may be worth - a star could possibly denote Stella, a brand used by Oscar Schmidt Company way back.

How to identify the model of my 1880s lyon and healy parlor guitar